Actress Evan Rachel Wood says she’s bisexual, and if she could, she would marry her Mildred Pierce co-star Kate Winslet.
Wood, the co-star of HBO’s hit vampire drama True Blood, told men’s glossy Esquire magazine that she likes both men and women.
“I’m up for anything. Meet a nice guy, meet a nice girl…†the 23-year-old actress said.
Wood plays the Vampire Queen of Louisiana in the HBO series set to return for its fourth season in June.
When asked if she’s dated women, Wood proudly responded: “Yeah, I’m more kind of like the guy when it comes to girls. I’m the dominant one. I’m opening the doors, I’m buying dinner.â€
“Yeah, I’m romantic,†she said.
Referring to her rocky relationship with rock star Marilyn Manson (it’s currently off), Wood said she’s had a long affair with androgynous singers.
“I grew up in love with David Bowie,†she said. “So I was always into very androgynous things. Guys, girls… I’m into androgyny in general.â€
Source: On Top Magazine
There was so much great filmmaking in Sunday’s Mildred Pierce finale that I could spend all morning appreciating it, but for illustration’s sake, I’ll let one example suffice: the scene where Mildred (Kate Winslet) and Bert (Bryan O’Byrne) eat at the new seaside restaurant and hear the voice of Veda (now an opera singer and played by Evan Rachel Wood) coming through the radio. Director Todd Haynes, his cinematographer Ed Lachman, and the actors are at peak strength. I love the shot over Mildred and Bert’s shoulders of the radio broadcasting the music (it has talismanic power), and the close-up of Mildred staring at the radio and listening to it, half the frame blocked out by the back of the radio. I love the long tracking shot of the stunned Mildred walking to the seaside. Most of all I love that final profile shot of Mildred staring out at the sea at night, after which the camera tracks right. The screen fills up with blackness that expresses the void Veda’s absence created in her mother; there’s also a concurrent sense that Mildred’s emotions are casting themselves out into the blackness, or onto the ocean, in a kind of cosmic reaching-out.










